Queen Lateefah, the Nigerian cinematic sensation, has grossed over N333.7 million on the field workplace, promoting greater than 80,500 tickets since its launch on September 27.
The movie is now the seventh highest-grossing Nollywood film up to now and holds the excellence of being the top-earning launch exterior of the profitable December interval, unadjusted for inflation.
This field workplace success, as reported by Nigerian Field Workplace, underscores the rising urge for food for Nollywood’s homegrown tales.
Becoming a member of the ranks of blockbusters comparable to Ajosepo, which earned N257.2 million, and Ajakaju, with N252.8 million, Queen Lateefah has shortly established itself as a excessive performer inside Nollywood’s non December releases.
Queen Lateefah’s journey to its present field workplace standing has been marked by vital milestones. Inside three weeks of its premiere, the movie crossed the N200 million mark, an achievement few Nigerian movies attain. By mid-October, field workplace receipts totaled N216 million, solidifying its place among the many highest-grossing movies within the nation’s historical past.
The movie’s success could be attributed to its broad enchantment and the meticulous distribution technique executed by Cinemax Distribution. Ope Ajayi, Cinemax’s founder and a number one voice in Nollywood’s distribution and manufacturing sector, highlighted the significance of connecting audiences with tales that resonate culturally and emotionally.
“Our purpose at Cinemax is to empower Nigerian storytellers by making certain their work reaches the appropriate viewers,” Ajayi acknowledged. “Queen Lateefah’s success is proof that there’s a rising urge for food for native tales that replicate the various realities and aspirations of Nigerian viewers. The field workplace numbers replicate a collective embrace of our tradition and tales, and that is just the start for Nollywood.”
The sustained success of Queen Lateefah alerts a brand new chapter for Nollywood, which more and more demonstrates its capacity to face toe-to-toe with worldwide releases. Regardless of dealing with competitors from overseas movies, Queen Lateefah’s constant ticket gross sales all through October illustrate Nollywood’s rising affect and the broadening marketplace for Nigerian cinema.
As Nollywood’s storytelling prowess and manufacturing capabilities proceed to evolve, Queen Lateefah’s success displays an increasing urge for food for movies that remember Nigerian id, resonate deeply with native audiences, and draw viewers again to theaters.
